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The Federation of Western India Cine Employees (FWICE) has called for a complete ban on all projects involving Diljit Dosanjh in India. The move comes in response to the actor-singer’s upcoming Punjabi film Sardaar Ji 3, which features Pakistani actress Hania Aamir in a lead role. The controversy has stirred strong reactions from across the Indian film industry, especially in the aftermath of recent terror attacks and growing nationalist sentiment.
FWICE Demands Industry-Wide Ban on Diljit Dosanjh
In a strongly worded statement, FWICE condemned Diljit Dosanjh for working with a Pakistani national amid heightened tensions between India and Pakistan. The organisation demanded that Sardaar Ji 3 and all future projects involving the actor be banned across India. FWICE President B.N. Tiwari said that any collaboration with Pakistani artists at a time when India is mourning the loss of its soldiers is “deeply insensitive” and “unacceptable.”
The federation also announced plans to write to the Ministry of Information and Broadcasting and other key film bodies, urging them to reject certifications or support for any Diljit-starring projects. The ban, they clarified, would extend to film, music, television, and stage performances.
Sardaar Ji 3 Trailer Released Overseas Only
The controversy escalated after the trailer for Sardaar Ji 3 was released with a message specifying “Overseas Only,” meaning it was geo-restricted and not made available for viewers in India. The move appeared to be a pre-emptive attempt by the makers to avoid domestic backlash. While the film was positioned as a lighthearted horror-comedy starring Diljit Dosanjh, Neeru Bajwa, and Hania Aamir, the casting of a Pakistani actress has drawn intense criticism.
The decision to cast Hania Aamir, who enjoys popularity in Pakistan and among diaspora audiences, has been viewed by many as tone-deaf, especially following the terror attack in Pahalgam that claimed the lives of Indian security personnel. Critics argue that casting choices should be made with sensitivity to national sentiments.
Social Media Outrage and Nationalist Backlash
Social media users have been vocal in their disapproval. Across platforms like X (formerly Twitter) and Instagram, hashtags such as #BoycottDiljit and #BanSardaarJi3 began trending shortly after the trailer release. Many users accused Diljit of prioritizing international popularity over national loyalty. Others questioned his silence on critical national issues, drawing comparisons between his global performances and his reluctance to address domestic tragedies.
The online outrage has not been limited to fans. Several influencers and film commentators have called for Diljit to be dropped from future nationalistic film projects, including the proposed sequel to Border. The sentiment is clear—public figures who benefit from Indian audiences are expected to respect the mood of the nation.
FWICE Reinforces Cultural Boycott of Pakistani Artists
The Diljit Dosanjh controversy is not the first instance where the Indian film industry has taken a hard stance against Pakistani talent. Since the Uri attack in 2016, multiple organisations have imposed informal bans on Pakistani actors, singers, and technicians. The recent demand by FWICE signals a renewed push to enforce those unwritten rules more strictly.
This cultural freeze has already resulted in limited collaboration between the two industries. However, Diljit Dosanjh’s decision to cast Hania Aamir seems to have crossed a red line in the eyes of many, reigniting calls to formalise a complete industry-wide boycott.
What This Means for Diljit and Sardaar Ji 3
While Sardaar Ji 3 may find some success in overseas Punjabi-speaking markets, the domestic fallout could be significant. The film now faces rejection not just from audiences but also from exhibitors, television channels, and streaming platforms in India. More importantly, Diljit Dosanjh’s image as a national figure could suffer long-term damage if the controversy continues to escalate.
The coming weeks will be crucial as industry stakeholders decide whether to align with FWICE or advocate for artistic freedom and cross-cultural dialogue. For now, the call to ban all Diljit Dosanjh projects in India has added a new and volatile chapter to the ongoing debate about art, politics, and national identity.
