Aamir Khan’s ‘Sitaare Zameen Par’ in Censor Trouble Just Days Before Release

Aamir Khan’s ‘Sitaare Zameen Par’ in Censor Trouble Just Days Before Release

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Bollywood superstar Aamir Khan’s upcoming film ‘Sitaare Zameen Par’ has run into unexpected censor trouble, just days ahead of its scheduled release on June 20. The Central Board of Film Certification (CBFC) has asked for changes in two scenes, delaying the certification process and potentially impacting box office plans. This development has triggered a wider discussion on censorship and creative freedom in Indian cinema.

CBFC Objections Stall Release of Aamir Khan’s Film

According to sources close to the production, the CBFC raised concerns over two specific scenes during the final screening. While the details of the objections remain confidential, insiders claim the scenes in question are “emotionally integral” to the storyline and removing them would dilute the film’s core message. Actor-producer Aamir Khan has refused to make the suggested edits and requested a re-screening by the board’s Revising Committee.

Speaking to the media, Khan stated, “We respect the CBFC process, but we’re confident in our film. The team has submitted it for re-evaluation and we’re hopeful for a fair outcome.”

International Approval, Domestic Roadblocks

What adds to the irony of the situation is that ‘Sitaare Zameen Par’ has already been cleared by the British Board of Film Classification (BBFC) with a 12A rating, indicating that it is appropriate for audiences over 12 years of age with parental guidance. The film’s seamless clearance abroad has sparked debate over why Indian filmmakers continue to face bureaucratic hurdles at home.

Producer Sheetal Talwar expressed frustration: “It’s baffling that international boards can see the film’s merit, but we face roadblocks here. The content is sensitive, emotional, and meant to inspire—there’s nothing vulgar or offensive.”

Not the First Censor Row for Aamir Khan

This is not Aamir Khan’s first brush with censorship. The actor has consistently taken principled stands against forced edits. In 2016, his film Dangal was denied release in Pakistan after he refused to cut scenes featuring the Indian national flag and anthem. Similarly, PK faced backlash for its satirical take on religion, but Khan stood by the film’s messaging.

His reputation as a filmmaker who champions socially relevant and meaningful cinema has made him a figure of both admiration and controversy.

A Film with a Message

Directed by R.S. Prasanna, ‘Sitaare Zameen Par’ is inspired by the Spanish hit Champions. It tells the story of a hot-headed basketball coach—played by Aamir Khan—who is ordered to train a team of players with intellectual disabilities as part of a community service punishment. Co-starring Genelia Deshmukh, the film explores themes of empathy, second chances, and breaking societal barriers.

Khan has described it as a spiritual successor to his critically acclaimed Taare Zameen Par, and calls it “a feel-good family entertainer that inspires.” Audiences were eagerly awaiting its release, and the censor delay has come as a disappointment to fans and exhibitors alike.

Potential Delay in Ticket Sales and Promotions

With just a few days left before the slated release date, the absence of a censor certificate means that advance bookings cannot begin. This has disrupted the promotional timeline and could impact the film’s opening weekend numbers. The filmmakers are banking on a quick resolution from the CBFC’s Revising Committee meeting expected early this week.

If the board upholds its earlier decision, the film may either be postponed or released with compromises—a scenario that neither the makers nor fans desire.

Ongoing Debate Over Censorship in Bollywood

The censor trouble for Aamir Khan’s film once again highlights the unpredictable nature of film certification in India. While CBFC officials defend their right to uphold social and cultural sensitivities, filmmakers argue that such restrictions often undermine artistic freedom and progress. The fact that globally recognized bodies have no issue with the same content raises questions about the consistency and transparency of the Indian censorship process.

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